![]() With Adam Jacobs, James Monroe Iglehart, Courtney Reed. Book and additional lyrics by Chad Beguelin. THE BOTTOM LINE A carpet with colorful patterns but little texture.Īladdin. There’s the rub: The musical is called Aladdin, but seems content to be Prince Ali. But the plotting drifts into weightless silliness, with a surfeit of generic padding and glitz. Director Casey Nicholaw fills the stage with activity, and Jonathan Freeman and Don Darryl Rivera offer ripe turns as a villainous vizier and his squawking sidekick. (The number matches the rococo cornucopia of the New Amsterdam Theatre.) Granted three wishes for freeing the Genie from a lamp, Aladdin uses the first to become the extravagant Prince Ali, a potentate worthy of the Sultan’s spunky daughter, Jasmine (Reed) later he takes her for a ride on a flying carpet that more closely resembles a flying Craftmatic adjustable bed.Īside from the tonic of Iglehart’s djinn, however, Aladdin is short on magic. The musical’s high point is the hard-sell “Friend Like Me,” in which the fourth-wall-breaking spirit summons wave upon wave of razzle-dazzle to demonstrate the scope of his power. “It’s barbaric, but hey, it’s home,” sings the genial Genie (a game, charismatic Iglehart) in the opening song, and that’s the tone of Aladdin as a whole: kid-Oriented.Īs in the 1992 film, the Genie steals the show from its eponymous “street rat” hero (Jacobs, white teeth and tan chest agleam). The latest in the toon-tuner line, Aladdin, falls between those poles nearer in style (though inferior in stakes) to Disney’s first effort, Beauty and the Beast, the show is a tricked-out, tourist-family-friendly theme-park attraction, decorated this time in the billowing fabrics of orientalist Arabian fantasy. What do we wish for in a Disney musical? It is unrealistic to expect aesthetic triumph on par with The Lion King, but neither need we settle for blobs of empty action like Tarzan or The Little Mermaid. Reputed highlights include James Monroe Iglehart's bouncy Genie and the flying-carpet F/X. Composer Alan Menken adds new tunes to the 1992 original soundtrack, and Chad Beguelin provides a fresh book. This is terrific family entertainment.Disney unveils its latest cartoon-to-musical project: the tale of a boy, an uncorked spirit and an aerodynamic rug. The whole family can enjoy the classic Broadway show experience while taking a break from the. This Broadway rendition of the 1992 Disney film brings a beloved cast of characters to the stage with stunning choreography. You’ll laugh and enjoy this slick production. Book tickets to the Tony Award-winning musical hit Aladdin, performed at New Amsterdam Theater in New York City. Through a mixture of a magic carpet ride and several Broadway-styled show stoppers, Aladdin is a brisk, 65 minute ride through a fable of friendship, loyalty with the timeless message of the importance of staying true to oneself. Aladdin is a 'Disney-fied' spectacular show that has great orchestration, choreography, singing, songs, and a great cast. Sean Blake and Alex Goodrich work hard in multiple roles.Īladdin and his Genie use their wits and their three wishes to outsmart Jafar who covets both Jasmine and the Sultan’s throne. Larkin steals the show as he both educates and aids Aladdin with his three wishes that he is allowed to grant. With just one rub of a magic lamp, Aladdin’s journey will sweep you into an exotic world of. Watch as the beloved story of Aladdin is brought to life at New York’s Amsterdam Theater, and experience a bold new Broadway musical. Yando and Hasenstab are deliciously evil while Bill Larkin is wildly funny as the Borscht-Belt styled blue-faced Genie. Activity provider: GetYourGuide Tours & Tickets GmbH. Jafar (Larry Yando at his villainous best)–the Sultan’s adviser and Iago–the talking Parrot (Derek Hasenstab)–re-unite two actors who played for several years on the National Tour of Lion King. Jasmine is determined to marry the person she loves. The Princess is trying to escape having to choose a husband from the inept Princes her father, the Sultan (Joseph Anthony Foronda) has assembled for her. Aladdinīased on the Arabian tales, Aladdin (Tony Clarno–all boyish charm), he is a clever street urchin who is wrongly accused of kidnapping the beautiful Princess Jasmine (Melissa Espinosa). Music Adapted, Arranged and Orchestrated by Bryan Louiselleĭirected & choreographed by Devanand JankiĪt Chicago Shakespeare Theater Slick, funny and well-sung (and danced) Aladdin unfolds as a mini-Broadway musical that kids loveįeaturing a wonderfully colorful set (designed by Brian Sidney Bembridge), with exquisite lighting by Jesse Klug and sleek costumes by Debbie Baer, with fine music from Ben Johnson’s orchestra, Disney’s Aladdin unfolds as a sophisticated, slick, well produced and directed Broadway musical that adults appreciate and kids love–pure Disney magic! Songs such as “A Whole New World” and “Friend Like Me” are among some of Disney’s best making Aladdin most memorable.
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